Sound Engineering
2011
A Flea in Her Ear, The Old Vie, Directed by Richard Eyre
2010
Birdsong, Comedy Theatre, Directed by Trevor Nunn
Design for Living, The Old Vie, Anthony Page
Prisoner on Second Avenue, The Vaudeville, directed by Terry Johnson
The Bridge Project, The Old Vic/Tealro EspanoL Madrid, directed by Sam Mendes
Ditch, The Old Vie Tunnels Waterloo, directed by Richard Twyman
Pressure Drop, Welcome Centre, directed by Chris Haydon
The Real Thing, The Old Vic, directed by Anna Mackmin
Ghosts, Duchess Theatre, directed by lain Glen
Six Degrees of Separation, The Old Vic, directed by David Grindley
2009
Endgame, The Duchess, directed by Simon Mc Burney
Inherit the Wind, The Old Vic, directed by Trevor Nunn
Dreams of Violence, UK Tour, directed by Max Stafford-Clark
The Bridge Project, The Old Vic/Greece Epidaurus, directed by Sam Mendes
Dancing at Lughnasa, The Old Vic, directed by Anna Mackmin
Complicit, The Old Vic, directed by Kevin Spacey
2008
Haunted, The Arts Theatre, directed by Paul Jepson
The Norman Conquests, The Old Vic, directed by Matthew Warchus
Contains Violence, Lyric Hammersmith, directed by David Rosenberg
Speed-the-Plow, The Old Vic/Recklinghausen, directed by Matthew Warchus
2007
Rough Crossings, UK Tour, directed by Rupert Goold
The Container, Young Vic & Udderbelly Edinburgh, directed by Tom Wright
2006
Gaslight, The Old Vic, directed by Peter Gill
Sound Design
Recently nominated for Off West End Sound Designer of the Year. 2010 for The Wages of Thin at the OldRed Lion.
2010
Richard Ill/Comedy of Errors, UK & International Tour (Propeller), directed by Edward Hall
24-hour plays — Celebrity Gala, The Old Vic, various directors
24-hour plays — New Voices, The Old Vic, various directors
The Wages of Thin. Old Red Lion, directed by Prasanna Puwanarajah
Ordinary Lads, ETC Theatre Camden, directed by Joke Hendriks
2009
Sudden Loss of Dignity, Bush Theatre & Latitude Festival, directed by Anthea Williams
S-27 (Time Out Critic’s Choice), Finborough Theatre, directed by Steve Keyworth
Waiting for Romeo, Pleasance Theatre London, directed by Nina Brazier
2007
Strippers and Gentlemen, ICA, directed by Rose Lewenstein
The Zoo, Finborough Theatre, directed by Nina Brazier
2006
An Artist and a Mariner, Minack Theatre, directed by Amanda Stuart
Operating
2010
The Bridge Project (No2), Old Vic/ Greece Epidaurus, directed by Sam Mendes
2009
The Habit of Art, National Theatre, directed by Nicholas Hytner
The Pitmen Painters, National Theatre, directed by Max Roberts
The Bridge Project (No2), Old Vic/ Greece Epidaurus, directed by Sam Mendes
2008
Contains Violence (SFX & AV), Lyric Hammersmith, directed by David Rosenberg
Further Experience
- Vocaleyes Recorder and Editor at the National for CueOne since 2007; currently recording aseries of Black Plays for the National Theatre’s archives.
- Regular Freelance work for: National Theatre, Royal Court, Tricycle, Old Vic Theatre, LyricHammersmith, and for hire companies including Stage Sound Services, Autograph andCueOne.
- Production Engineer and Apprentice for CueOne from 2006 to 2009, building, installing andmaintaining sound systems for productions in theatres both in the West End and in UK regionaland touring venues.
- Resounder on The Container (London & Edinburgh) and Headlong’s Rough Crossings (UK Tour).
- No.2 Production Engineer Credits: Bedroom Farce (Duke of Yorks), Enron (Noel Coward), ViewFrom A Bridge, Under the Blue Sky (Duke of Yorks) and The Hound of the Baskervilles (DuchessTheatre).
Training
2007 BA (Hons) Sound Production and Design, Central School of Speech of Drama.
2004 BTEC National Diploma in Acting: Merit Merit Distinction, Chichester College of Technology 2002 Eight GCSEs Grades A*- C, Eastfields High School for Boys, Mitcham Surrey.
Additional Qualifications
- Full UK Driving Licence for over five years.
- IPAF Licence for Cherry Pickers and Scissor Lift.
- Currently studying a City & Guilds IVQ in Mechanical Electronics.
- Compliant with a full range of digital equipment from various Sound Desks to different types of Audio Playback, on several platforms on both Mac and PC.
- Edit and record on a large variety of DAW products including Protools and Logic, and quick to learn new systems.
Hobbies
Travel, snowboarding, contemporary art. Listening to radio, especially BBC Radio 4. An ongoing love of theatre, music and live entertainment.
References (available on request)
Tom Lishman, Sound Designer
Borneo Brown, Head of Sound, National Theatre
Paul ArdittL Sound Designer
David Mc Seveney, Head of Sound, Royal Court Theatre
Evening Chronicle (Newcastle) Blood flows freely, and the body bags pile up. Special effects are utilised very cleverly, and, along with David Gregory’s excellent sound design, they create a very engrossing experience.
The British Theatre Guide on The Wages of Thin (ORL) The set by James Cotterill is exact, David Gregory’s sound design and Matthew Pitman’s lighting complement each other — when a train passes overhead the central light rattles and dims.
The Stage on Waiting for Romeo: Nina Brazier’s direction brings the dichotomy of the sisters into stark relief while outside the war rages on, thanks to excellent sound design by David Gregory.
